I was a strange child.
That's not self-deprecation. It's just the truth. I was the girl who brought books to lunch, who sat alone by the fence during recess, who had answers in class that made the teacher pause a beat too long before saying, "Interesting." I was the one who wore mismatched socks because I liked the colors together, who laughed at things no one else found funny, who existed in a rhythm that never quite matched the song everyone else was dancing to.
In a paper town, I was a sketch on a paper plate. Not quite right. Not quite wrong. Just… not what they expected.
I grew up surrounded by people who seemed to have a manual I never received.
The other girls were magazine cuts—neat, glossy, perfect in ways I couldn't articulate but could feel in my bones. They knew how to do their hair, how to laugh at the right jokes, how to make boys look at them without looking away quickly. They fit. They belonged. They were the queens in a deck where all the cards matched.
And I was the joker. The one that didn't fit in any hand.
I used to think something was wrong with me. Deeply, fundamentally wrong. Like I'd been assembled incorrectly, given the wrong instruction manual, born into the wrong world. I'd look at the other girls and wonder what they knew that I didn't. What secret they'd been let in on that I'd somehow missed.
I tried to learn. I watched them. I studied their movements, their laughter, their easy confidence. I practiced in my mirror—smiles that didn't look forced, conversations that didn't stall, the art of being normal.
But every time I showed a piece of the real me, it was met with sideways glances. Whispers. The teachers who looked at me like I was a strange specimen they couldn't quite categorize. The boys who glanced my way and then, quickly, looked elsewhere. The friends I never quite made.
So I folded. I learned to make myself small. To hide the parts of me that didn't fit. To become a quieter, paler version of the person I was supposed to be.
I didn't know I was folding myself out of existence.
There's a line in the song: "I was a sketch on a paper plate / In a paper town, I learned my fate."
I wrote that after remembering an art class in high school. We were supposed to make something—anything—and display it on the wall with everyone else's. I made something strange. Something that didn't look like anyone else's. The teacher smiled politely and hung it in the corner, where no one would see it.
I remember thinking: why can't I just make what everyone else makes?
It took me years to understand that I wasn't the wrong material. I was trying to fold myself into shapes that weren't mine. You can fold paper into a thousand shapes. But you can't fold watercolor paper the same way. It's not made to fold. It's made to hold color, to bleed, to become something that paper airplanes never can.
I was never going to be a paper airplane. I was never going to fly in straight, predictable lines. I was going to be something that absorbed everything, that transformed, that became something beautiful not because I folded small enough, but because I unfolded entirely.
The turning point didn't come all at once. It came in fragments.
The moment I realized I'd rather be alone and whole than surrounded and folded. The moment I stopped checking myself against the people around me. The moment I let myself be strange again, in public, on purpose, and the world didn't end.
The moment I realized that the thing that made me feel like the wrong material was actually the thing that made me strong.
Paper burns. It's fragile. It's meant to be written on and thrown away. But fire? Fire rises. Fire transforms. Fire doesn't ask permission to be what it is.
I wrote "Phoenix from a Paper Town" as a love letter to every version of myself that felt like she didn't belong. To the girl who sat alone at lunch. To the teenager who stared at her reflection and wondered why she couldn't be like everyone else. To the woman who finally, slowly, began to realize that she didn't need to fit in—she just needed to rise.
If you're reading this and you're still trying to fold yourself into shapes that aren't yours—still trying to be quieter, smaller, easier, more like the people around you—I wrote this for you.
I know how exhausting it is. I know the weight of pretending. I know what it feels like to look at yourself and wonder if there's anything there at all, underneath all the folding.
But here's what I've learned: you were never the wrong material. You were just in a room that couldn't hold you. A paper town that needed you to be thin and flat and predictable so you'd fit in their walls.
But you're not paper. You're not meant to be folded. You're meant to burn—not to be destroyed, but to be transformed. To rise. To become something that no paper town could ever contain.
Let yourself be strange. Let yourself be different. Let yourself be the thing that doesn't fit.
That's not your flaw. That's your fire.
I was a sketch on a paper plate
In a paper town, I learned my fate
The other girls were magazine cuts
I was a page of constant rebuts
My thoughts were scribbled in the margins, loud
A strange equation in a simple crowd
And every boy, a paper plane
Who saw the storm and flew away from the rain.
And I tried to build a cardboard version of me
Something acceptable for the world to see
But my own edges, sharp and true
Would always tear the construct through
So I learned to fold, and make myself small
The quietest, strangest girl of all.
I wore my silence like a winter coat
A single, solitary, drifting boat
On a sea of whispers, "weird" and "wrong"
A dissonant, forgotten song
The teachers' stares were spotlights, cold
A story that was never told.
And I tried to build a cardboard version of me
Something acceptable for the world to see
But my own edges, sharp and true
Would always tear the construct through
So I learned to fold, and make myself small
The quietest, strangest girl of all.
But a phoenix doesn't bloom in a polite, tame light
It needs the ash, the long and lonely night
To remember it was born of fire
To rise again, to climb still higher
I wish I'd known the spark I held
Was a power that the polished world repelled.
I'd tell her, "This is not your tomb,
This is the dark that grants you bloom."
Now some days, I wear my wings so high
I'm painting colors on the sky
And other days, I feel the old, cold ground
The echo of that hollow sound
I take a breath, and fan a single, gentle flame
And whisper my forgotten name.
I'm rising, learning, piece by piece...
Finding a rhythm, granting myself peace...
From the paper ashes, I begin to see...
The fierce and brilliant, authentic me.
A phoenix from a paper town...
Finally rising, never folding down.
Never again... folding down.